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#intonation

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Søren Sandager Sørensen<p>Another piece of text got uploaded to ResearchGate: My 2019 MUDS chapter on action distinctions within response tokens and their varied relation to intonation [in Danish]: <a href="https://www.researchgate.net/publication/389913929_Handling_og_intonation_pa_tvaers_af_svarord" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">researchgate.net/publication/3</span><span class="invisible">89913929_Handling_og_intonation_pa_tvaers_af_svarord</span></a><br><a href="https://lingo.lol/tags/EMCA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>EMCA</span></a> <a href="https://lingo.lol/tags/intonation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>intonation</span></a></p>
Stephen Bannasch (316 ppm)<p><span class="h-card" translate="no"><a href="https://mastodon.nz/@wavygk" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>wavygk</span></a></span> </p><p>Lots more info here about intonation adjustment after the top is glued to the body: <a href="https://learnmaketeachshare.org/making%20instruments/2018/11/20/intonation-for-small-high-performance-guitars.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">learnmaketeachshare.org/making</span><span class="invisible">%20instruments/2018/11/20/intonation-for-small-high-performance-guitars.html</span></a></p><p><a href="https://ruby.social/tags/GuitarBuilding" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GuitarBuilding</span></a> <a href="https://ruby.social/tags/TopTuning" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TopTuning</span></a> <a href="https://ruby.social/tags/Intonation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Intonation</span></a></p>
Søren Sandager Sørensen<p>My best part of my PhD thesis is probably the paper on rising 'ja' (yes) and 'nej' (no) in Danish). It shows that these are used for affiliation in contrast to the 'normal' versions with level intonation. But it also shows how the rising pitch often (cor)responds to a wide pitch span in the previous turn, as part of making affiliation relevant.</p><p>Now your can get a version of this on ResearchGate (AAM, before layout and proofs)</p><p><a href="https://www.researchgate.net/publication/348636560_Affiliating_in_Second_Position_Response_Tokens_with_Rising_Pitch_in_Danish" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">researchgate.net/publication/3</span><span class="invisible">48636560_Affiliating_in_Second_Position_Response_Tokens_with_Rising_Pitch_in_Danish</span></a> </p><p><a href="https://lingo.lol/tags/linguistics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linguistics</span></a> <a href="https://lingo.lol/tags/phonetics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>phonetics</span></a> <a href="https://lingo.lol/tags/emca" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>emca</span></a> <a href="https://lingo.lol/tags/intonation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>intonation</span></a></p>
Jim Donegan 🎵 ✅<p>The 11th <a href="https://mastodon.scot/tags/Harmonic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Harmonic</span></a>: Terrifying Truths Revealed At Last </p><p><a href="https://www.youtube.com/watch?v=oOWphDnxzU8" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=oOWphDnxzU</span><span class="invisible">8</span></a> </p><p><a href="https://mastodon.scot/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Music</span></a> <a href="https://mastodon.scot/tags/MusicalScales" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicalScales</span></a> <a href="https://mastodon.scot/tags/Tonality" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Tonality</span></a> <a href="https://mastodon.scot/tags/Intonation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Intonation</span></a> <a href="https://mastodon.scot/tags/Microtones" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Microtones</span></a> <a href="https://mastodon.scot/tags/Microtonality" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Microtonality</span></a> <a href="https://mastodon.scot/tags/Harmonics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Harmonics</span></a> <a href="https://mastodon.scot/tags/HarmonicSeries" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HarmonicSeries</span></a> <a href="https://mastodon.scot/tags/DNA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DNA</span></a> <a href="https://mastodon.scot/tags/Evil" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Evil</span></a> <a href="https://mastodon.scot/tags/Mannfishh" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mannfishh</span></a></p>
Felix Berthold :berti: :hlr:<p>Koch, Michael: Zur Bedeutung des Intonationsproblems. In: EGTA-Journal 6/2023, S. 34-41. (PDF)<br /><a href="http://www.egta-d.de/page/media/pdf/EGTA-Journal_2023-06.pdf" target="_blank" rel="nofollow noopener noreferrer" translate="no"><span class="invisible">http://www.</span><span class="ellipsis">egta-d.de/page/media/pdf/EGTA-</span><span class="invisible">Journal_2023-06.pdf</span></a></p><p>Das ist ein wirklich sehr lesenswerter Aufsatz, der am Ende auf nur 2 Seiten wertvolle, praktische (unterrichtserprobte) Hinweise zum Ausführen und Lernen des <a href="https://hessen.social/tags/Vibrato" class="mention hashtag" rel="tag">#<span>Vibrato</span></a> auf der Konzertgitarre gibt. Auch die Erklärungen zur Intonation und möglichen Lösungen sind sehr lehrreich. M. Koch vermittelt das komplexe Thema sehr anschaulich.</p><p><a href="https://hessen.social/tags/Guitar" class="mention hashtag" rel="tag">#<span>Guitar</span></a> <a href="https://hessen.social/tags/ClassicalGuitar" class="mention hashtag" rel="tag">#<span>ClassicalGuitar</span></a> <a href="https://hessen.social/tags/Gitarre" class="mention hashtag" rel="tag">#<span>Gitarre</span></a> <a href="https://hessen.social/tags/Intonation" class="mention hashtag" rel="tag">#<span>Intonation</span></a></p>
MPI for Empirical Aesthetics<p>“Are you being ironic?” Good question! The literal meaning is not always the intended one. An interdisciplinary research team at <span class="h-card"><a href="https://social.mpdl.mpg.de/@MPI_ae" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>MPI_ae</span></a></span> found that irony is primarily signaled by moving stress within a sentence. Learn more here: <a href="https://psycnet.apa.org/fulltext/2023-65039-001.html" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">psycnet.apa.org/fulltext/2023-</span><span class="invisible">65039-001.html</span></a> <a href="https://social.mpdl.mpg.de/tags/prominence" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>prominence</span></a> <a href="https://social.mpdl.mpg.de/tags/pitchaccent" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>pitchaccent</span></a> <a href="https://social.mpdl.mpg.de/tags/irony" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>irony</span></a> <a href="https://social.mpdl.mpg.de/tags/intonation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>intonation</span></a> <a href="https://social.mpdl.mpg.de/tags/prosody" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>prosody</span></a> <a href="https://social.mpdl.mpg.de/tags/voiceacoustics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>voiceacoustics</span></a> <a href="https://social.mpdl.mpg.de/tags/psychology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>psychology</span></a> <a href="https://social.mpdl.mpg.de/tags/journalofexperimentalpsychology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>journalofexperimentalpsychology</span></a>:general</p>